Digital programs for events at Wharton Center for Performing Arts. 

Digital Programs

- KEN DAVENPORT
- BOB GAUDIO
- AND NETWORKS PRESENTATIONS

WITH

- SANDI MORAN
- SCOTT ABRAMS
- JONATHAN AND RAE CORR
- ADAM RIEMER
- MARGUERITE STEED HOFFMAN
- RON KASTNER
- ROB KOLSON
- VALLI FAMILY GROUP
- CAIOLA PRODUCTIONS
- GAUDIO FAMILY GROUP
- JOSEPH J. GRANO, JR.
- STARLIGHT THEATRE
- ROY & EILEEN PUTRINO
- JAMES L. NEDERLANDER
- TRISHA BLAKE
- MARK E. JACOBS
- UNIVERSAL MUSIC GROUP THEATRICAL
- DEBORAH GREEN
- PATTY BAKER
- SHERI AND LES BILLER
- H. RICHARD HOPPER
- SHARON KARMAZIN
- MATTHEW SALLOWAY
- BB INVESTMENTS, LLC
- WITZEND PRODUCTIONS
- THEATRE PRODUCERS OF COLOR

PRESENT

# **A BEAUTIFUL NOISE: THE NEIL DIAMOND MUSICAL**

- BOOK BY\
**ANTHONY MCCARTEN** 
- MUSIC AND LYRICS BY\
**NEIL DIAMOND**

STARRING

**NICK FRADIANI**

WITH

- ROBERT WESTENBERG 
- HANNAH JEWEL KOHN 
- LISA RENEÉ PITTS
- MICHAEL ACCARDO 
- TUCK MILLIGAN 
- KATE A. MULLIGAN 
- TIFFANY TATREAU

1. JOE CASKEY 
2. COOPER CLACK 
3. DENVER DIZON
4. DALE DUKO 
5. DEIRDRE DUNKIN 
6. RENE MIRAI GUYON
7. GINGER HURLEY 
8. JER 
9. SPENCER DONOVAN JONES 
10. ZOË MALONEY 
11. ELLEN MCGIHON 
12. THABITHA MORUTHANE
13. RAMSEY PACK 
14. JEILANI RHONE-COLLINS 
15. ALEC MICHAEL RYAN 
16. NIK VLACHOS 
17. J’KOBE WALLACE

- SCENIC DESIGN\
DAVID ROCKWELL

- COSTUME DESIGN\
EMILIO SOSA

- LIGHTING DESIGN\
KEVIN ADAMS

- SOUND DESIGN\
JESSICA PAZ

- HAIR, WIG & MAKEUP DESIGN\
LUC VERSCHUEREN

- VOCAL DESIGN\
ANNMARIE MILAZZO

- INCIDENTAL MUSIC\
AND DANCE MUSIC ARANGMENTS\
BRIAN USIFER

- ORCHESTRATIONS\
BOB GAUDIO, SONNY PALADINO\
& BRIAN USIFER

- CASTING\
JIM CARNAHAN, CSA\
JASON THINGER, CSA

- TOUR DIRECTOR\
AUSTIN REGAN

- TOUR CHOREOGRAPHER\
YASMINE LEE

- ILLUSION DESIGN\
JAMIE HARRISON

- MUSIC COORDINATOR\
JOHN MILLER

- MUSIC DIRECTOR\
JAMES OLMSTEAD

- TOUR BOOKING, MARKETING\
& PUBLICITY DIRECTION\
BOND THEATRICAL

- GENERAL MANAGEMENT\
GENTRY & ASSOCIATES\
MADELINE MCCLUSKEY

- COMPANY MANAGER\
ERIK BIRKELAND

- PRODUCTION STAGE MANAGER\
RICHARD A. LEIGH

- PRODUCTION MANAGEMENT\
NETWORKS PRESENTATIONS\
HECTOR GUIVAS

EXECUTIVE PRODUCER\
TRINITY WHEELER 

MUSIC SUPERVISION AND ARRANGEMENTS BY\
**SONNY PALADINO**

CHOREOGRAPHY BY\
**STEVEN HOGGETT**

DIRECTED BY\
**MICHAEL MAYER**

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(in alphabetical order) 

- “A Beautiful Noise”\
“America”\
“Brooklyn Roads”\
“Brother Love’s Traveling Salvation Show”\
“Cherry, Cherry”\
“Cracklin’ Rosie”\
“Crunchy Granola Suite”\
“Forever In Blue Jeans”\
“Hello Again”\
“Holly Holy”\
“I’m A Believer”\
“I Am... I Said”\
“I Got the Feelin’ (Oh No, No)”\
“I’ll Come Running”\
“Kentucky Woman”

- “Look Out (Here Comes Tomorrow)”\
“Love On the Rocks”\
“Play Me”\
“Pretty Amazing Grace”\
“Red, Red Wine”\
“September Morn”\
“Shilo”\
“Solitary Man”\
“Song Sung Blue”\
“Soolaimon”\
“Sweet Caroline”\
“Thank the Lord for the Night Time”\
“The Boat That I Row”\
“You Don’t Bring Me Flowers”

musical numbers

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Run time is approximately 2 hours 15 minutes, including one 15-minute intermission

Run time

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## **LETTER FROM NEIL**

The idea of a Broadway musical about my life has always been a daunting one. It wasn’t until the symptoms of Parkinson’s disease prematurely ended my touring career that I started to seriously consider the prospect. I say “prematurely” because my heart and soul would tour until the day I die if only my body would cooperate.

My friend and longtime producer Bob Gaudio had some success with his little show, Jersey Boys (perhaps you’ve heard of it?), so I went to him for some guidance on where to begin. Bob brought in Ken Davenport and together they built the incredible creative team that became, A Beautiful Noise.

When Anthony McCarten came on board, we spent hours talking. It was his idea to frame the show in the context of therapy sessions. I loved the idea and never shied away from talking about my years of psychoanalysis. There used to be a stigma around talking about mental health and thankfully through the years, it’s become an important and accepted topic of conversation.

Sitting in the theatre and watching the show has itself been therapeutic: reliving some joyful and some of the painful parts of my life, wishing perhaps that if I could only make a few edits in the script, it would change some of the reality of what I was seeing. But in the end, coming to terms with my life and accepting it has somehow come full circle. I feel fortunate and full of gratitude for all the people in my life. It is each of them who have impacted and shaped me in their own way to get me to the place where I am now…a better man. A better father. A better husband. A better songwriter.

I’d like to thank Marcia and Jaye, this story wouldn’t be possible without you. My children and grandchildren for your most important supporting roles in my life. My wife, Katie, who encouraged me to keep going through this process and finally, to Dr. Lu Katzman, my longtime therapist who inspired this story. May she rest in peace.

Neil Diamond\
September 2022

LETTER FROM NEIL

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The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited.

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no recording

Retailers Insurance

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Auto-Owners Insurance

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MSU Federal Credit Union

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Jackson National Life Insurance Company

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Nick Fradiani

A-beautiful-noise-cast-Robert Westenberg.jpg

Robert Westenberg

A-beautiful-noise-cast-Hannah Jewel Kohn.jpg

Hannah Jewel Kohn

A-beautiful-noise-cast-Lisa Reneé Pitts.jpg

Lisa Reneé Pitts

A-beautiful-noise-cast-Michael Accardo.jpg

Michael Accardo

A-beautiful-noise-cast-Tuck Milligan.jpg

Tuck Milligan

A-beautiful-noise-cast-Kate A. Mulligan.jpg

Kate A. Mulligan

A-beautiful-noise-cast-Tiffany Tatreau.jpg

Tiffany Tatreau

A-beautiful-noise-cast-Joe Caskey.jpg

Joe Caskey

A-beautiful-noise-cast-Cooper Clack.jpg

Cooper Clack

A-beautiful-noise-cast-Denver Dizon.jpg

Denver Dizon

A-beautiful-noise-cast-Dale Duko.jpg

Dale Duko

A-beautiful-noise-cast-Deirdre Dunkin.jpg

Deirdre Dunkin

A-beautiful-noise-cast-Rene Mirai Guyon.jpg

Rene Mirai Guyon

A-beautiful-noise-cast-Ginger Hurley.jpg

Ginger Hurley

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A-beautiful-noise-cast-Spencer Donovan Jones.jpg

Spencer Donovan Jones

A-beautiful-noise-cast-Zoë Maloney.jpg

Zoë Maloney

A-beautiful-noise-cast-Ellen McGihon.jpg

Ellen McGihon

A-beautiful-noise-cast-Thabitha Moruthane.jpg

Thabitha Moruthane

A-beautiful-noise-cast-Ramsey Pack.jpg

Ramsey Pack

A-beautiful-noise-cast-Jeilani Rhone-Collins.jpg

Jeilani Rhone-Collins

A-beautiful-noise-cast-Alec Michael Ryan.jpg

Alec Michael Ryan

A-beautiful-noise-cast-Nik Vlachos.jpg

Nik Vlachos

A-beautiful-noise-cast-JKobe Wallace.jpg

J’Kobe Wallace

(in order of appearance)

- Neil – Now	
- ROBERT WESTENBERG
- Doctor	
- LISA RENEÉ PITTS
- Neil – Then	
- NICK FRADIANI
- Ellie Greenwich	
- KATE A. MULLIGAN
- Jaye Posner	
- TIFFANY TATREAU
- Backup Singers	
- DEIRDRE DUNKIN, ELLEN McGIHON, THABITHA MORUTHANE
- “The Boat That I Row” Soloist	
- JEILANI RHONE-COLLINS
- “Look Out (Here Comes Tomorrow)” Soloist	
- COOPER CLACK
- “Red, Red Wine” Soloist	
- RAMSEY PACK
- “Kentucky Woman” Soloist	
- NIK VlLACHOS
- Bitter End Trio Singers	
- COOPER CLACK, GINGER HURLEY, SPENCER DONOVAN JONES
- Fred Weintraub	
- TUCK MILLIGAN
- Marcia Murphey	
- HANNAH JEWEL KOHN
- Bert Berns	
- MICHAEL ACCARDO
- Tommy O’Rourke	
- TUCK MILLIGAN
- Rose Diamond	
- KATE A. MULLIGAN
- Kieve Diamond	
- MICHAEL ACCARDO
- “Shilo” Soloist	
- SPENCER DONOVAN JONES

**THE BEAUTIFUL NOISE**

- COOPER CLACK\
DEIRDRE DUNKIN\
GINGER HURLEY\
SPENCER DONOVAN JONES\
ELLEN McGIHON
- THABITHA MORUTHANE\
RAMSEY PACK\
JEILANI RHONE-COLLINS\
NIK VLACHOS\
J’KOBE WALLACE

**STAND BYS**\
For Neil – Then —JOE CASKEY\
For Neil – Now, Fred Weintraub/Tommy O’Rourke, Bert Berns/Kieve Diamond—DALE DUKO

**UNDERSTUDIES**\
Understudies never substitute for the listed players unless a specific announcement is made at the time of the appearance.

For Neil – Now—TUCK MILLIGAN\
for Doctor—THABITHA MORUTHANE, JEILANI RHONE-COLLINS\
for Neil – Then—ALEC MICHAEL RYAN, NIK VLACHOS\
for Ellie Greenwich/Rose Diamond— GINGER HURLEY, ELLEN McGIHON\
for Jaye Posner— GINGER HURLEY, ZOË MALONEY, ELLEN McGIHON\
for Marcia Murphey—GINGER HURLEY, ELLEN McGIHON\
for Fred Weintraub/Tommy O’Rourke—ALEC MICHAEL RYAN\
for Bert Berns/Kieve Diamond—ALEC MICHAEL RYAN

**SWINGS**\
DENVER DIZON, RENE MIRAI GUYON, JER, ZOË MALONEY, ALEC MICHAEL RYAN

**CO-DANCE CAPTAINS**\
JER, J’KOBE WALLACE

**BAND**\
Conductor/Keyboard 1—JAMES OLMSTEAD\
Associate Conductor/Keyboard 2—NANCY O’CONNOR\
Guitar—BEN THOMAS TAYLOR\
Bass—AAMIR JUMAN\
Drums—MORGAN PARKER\
Trumpet/Flugel—PAUL BARON\
Reeds—ALEX GABRIEL CALIXTO\
Trombone—SIYA CHARLES\
Violin/Viola—CHAEYOUNG SON\
Traveling Music Alternate—TOPHER PAOLUCCI

Music Copyist—Alexander Greenberg\
Synthesizer Programming: Randy Cohen, Cohen Keyboards LLC\
Music Coordinator: John Miller



Cast

Opening Night: September 24, 2024

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**STAFF FOR A BEAUTIFUL NOISE**\
Executive Producer\
Trinity Wheeler

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**General Management**\
Gentry & Associates\
Gregory Vander Ploeg\
Madeline McCluskey   Shira Wolf

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**Production Management**\
NETworks Presentations\
Jason Juenker\
Hector Guivas

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**TOUR BOOKING, MARKETING & PUBLICITY**\
BOND THEATRICAL\
bondtheatrical.com\
TOUR BOOKING

- Temah Higgins
- Mollie Mann
- Wendy Roberts
- Madison St. Amour
- Jesse Daniels
- Laura Rizzo
- Nilesha Alexander
- Kolten Bell


TOUR MARKETING & PUBLICITY

- DJ Martin   
- Marc Viscardi   
- Jenny Bates
- Alexandra De La Cerda   
- Caroline Frawley

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- Production Stage Manager
- Richard A. Leigh
- Stage Manager	
- Rachel Heine
- Assistant Stage Manager	
- Benji Kern
- Company Manager 	
- Erik Birkeland
- Associate Company Manager 	
- Brad Siebeking
- Assistant Director	
- Fernando Parra Bortí
- Assistant Choreographer	
- Paige Faure
- Associate Illusionist	
- Skylar Fox
- Associate Scenic Designers	
- Mikiko Suzuki-Macadams\
Chen-Wei Liao
- Costume Coordinator	
- Sam Fleming
- Associate Lighting Designer	
- Wilburn Bonnell
- Assistant Lighting Designer	
- Riva Fairhall
- Associate Sound Designer	
- Shannon Slaton
- Hair, Wig and Makeup Designer
- Luc Verschueren\
Campbell Young Associates
- Production Electrician
- Zach Alexander
- Production Sound	
- Marisa J. Barnes
- Production Carpenter	
- pesci
- Props Supervisor	
- Kathy Fabian/Propstar LLC
- Associate Prop Supervisor	
- John Estep/Propstar LLC
- Propstar Production Manager	
- Ry Pepper
- Moving Light Programmer	
- Brad Gray
- Head Carpenter	
- Josh Nelson
- Assistant Carpenter	
- John “Seth” Leach
- Flyman	
- Glen Shafer
- Head Electrician	
- Matthew Brehm
- Assistant Electrician	
- J. Luce
- Head Sound	
- Nick Dunk
- Assistant Sound	
- Luis Caceres Dardano\
Davie Voelker
- Head Props	
- Clista Jarrett
- Wardrobe Supervisor	
- Alona Comito
- Assistant Wardrobe	
- Madeline Simpson
- Hair & Make-up Supervisor	
- George C. Deavours
- Crew Swing	
- Jess Cuoghi
- Production Assistants	
- Maris Keller\
Gabriella Shead
- Rehearsal Pianist	
- Utsav Bhargava
- Vocal Consultant	
- Liz Caplan
- Merchandise	
- The Araca Group
- Merchandise Manager	
- Robert Laviolette
- Logo Design	
- AKA NYC
- Video Production	
- David Kane Productions
- Production Photographer	
- Jeremy Daniel
- Tour Booking, Marketing & Publicity Office
- BOND Theatrical\
Melissa Cohen\
Bridget Gross\
Ayanna Jernigan\
Tony Joy\
Steph Kelleher\
Harrison Mootoo\
Scotland Newton\
Elisabeth Reyes\
Linda J. Stewart
- Davenport Theatrical Enterprises	
- Morgan Cavendish\
Mace Cowart\
Mary Dina\
Jonathan Hogue\
Annie Mallamaci
- Marketing Director	
- Mary Dina
- Safety Consultant	
- Bryan Huneycutt
- Physical Therapy Consultant	
- Carolyn Lawson, NEURO Tour
- Physical Therapist	
- Alexandra MacPherson
- Accounting	
- NETworks Presentations LLC
- Tax Accountant	
- Jeff Mensch
- Legal Services	
- David F. Schwartz, Esq., Gray Schwartz LLP
- Legal Counsel	
- Franklin Weinrib Rudell & Vassallo, Daniel M. Wasser
- HR Support	
- K+K Reset, LLC
- Housing	
- Lisa Morris, Road Concierge
- Travel Agency	
- Kessler & Co. / Direct Travel
- Trucking	
- Clark Transfer

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**FOR NETWORKS PRESENTATIONS**

- Chief Executive Officer	
- Orin Wolf
- President/Chief Production Officer	
- Seth Wenig
- Chief Operating Officer/Chief Financial Officer	
- Margaret Daniel
- Business Affairs	
- Scott W. Jackson
- Executive Producers	
- Mimi Intagliata, Hannah Rosenthal, Trinity Wheeler
- Vice President of Finance	
- Scott Levine
- Sr. Director/Finance	
- John Kinna
- Controller	
- Jennifer Gifford
- Director of Tour Accounting	
- Laura S. Carey
- Tax Director	
- Pat Guerieri
- Tax Assistant	
- Deborah Brown
- Accounts Payables & Receivables Clerk	
- Lisa Loveless
- Sr. Director, Booking & Engagements	
- Amanda Laird
- Directors, Booking & Engagements	
- Stacey Burns, Colin Byrne
- Booking Assistant	
- Lily Flippin
- Director of Sales	
- Zach Stevenson
- Director of Marketing	
- Heather Hess
- Sr. Director/General Management	
- Gregory Vander Ploeg
- General Managers	
- Madeline McCluskey, Rebecca Shubart\
Steven Varon-Moore
- Associate General Manager	
- Amanda Lenti, Heather Moss, Shira Wolf
- Sr. Director/Production Management	
- Jason Juenker
- Sr. Production Manager	
- Hector Guivas
- Production Managers	
- Matthew Reardon, Alex Williams
- Associate Production Manager	
- Aimeé Mangual Pagán
- Technical Director	
- pesci
- Production Coordinator	
- Gina Boccolucci
- NETworks Asset Manager	
- Richard Haug
- Director of Operations	
- Pearce Landry-Wegener
- Workers Compensation Coordinator	
- Kayla Rooplal
- People Operations/Payroll Manager	
- Sara Clayton
- Executive Assistant	
- Isabella Schiavon
- Office Manager	
- Michelle Adye
- Adminstrative Assistant	
- Aidan Herman
- Music Coordinator	
- John Mezzio

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**CREDITS**\
Scenery built by Great Lakes Scenic Services. Automation provided by Creative Conners, Inc. Lighting equipment provided by Christie Lites and audio equipment provided by PRG Broadway. Wigs made by Campbell Young Associates. Neil - Then costumes by Eric Winterling, Inc. Props by Propstar. Props Artisans: Francis McCrann, Cailey Harwood, Shane Hennessey, Genesis DeWitt. Specialty Props by BB Props, Bad Monkey Props, Tom Carroll Scenery, Costume Armour, ART, and Turning Star Inc.

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**OFFICIAL GUITAR SPONSOR**\
Gibson Brands

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**MUSIC CREDITS**

**“Beautiful Noise,”** **“I Got The Feelin’ (Oh No, No),”** **“I’ll Come Running,”** **“I’m a Believer,”** **“The Boat That I Row,”** **“Look Out, Here Comes Tomorrow,”** **“Red, Red Wine,”** **“Kentucky Woman,”** **“Solitary Man,”** **“Cracklin’ Rosie,”** **“Song Sung Blue,”** **“Cherry, Cherry,”** **“Sweet Caroline,”** **“Brother Love’s Traveling Salvation Show,”** **“Play Me,”** **“Soolaimon,”** **“Thank the Lord for the Night Time,”** **“Crunchy Granola Suite,”** **“Brooklyn Roads,”** **“America,” “Shilo,”** **“I Am…I Said,”** **“Holly Holy,”** **“Pretty Amazing Grace”** written by Neil Diamond. Courtesy of Universal Tunes. Under license from Universal Music Publishing Group. All rights reserved. **“Love on the Rocks,” “September Morn”** written by Neil Diamond, Gilbert Francois Leopold Becaud. Courtesy of Universal Tunes, Universal Music Corp. on behalf of Sweet Sixteen Music, Inc. Under license from Universal Music Publishing Group. All rights reserved. **“Forever in Blue Jeans”** Written by Neil Diamond, Richard Winchell Bennett. Courtesy of Universal Tunes, Universal Music Corp. Under license from Universal Music Publishing Group. All rights reserved. **“You Don’t Bring Me Flowers”** written by Neil Diamond, Marilyn Bergman, Alan Bergman. Courtesy of Universal Tunes, Universal Music Corp. on behalf of Sweet Sixteen Music, Inc. Under license from Universal Music Publishing Group. All rights reserved. **“Hello Again”** written by Neil Diamond, Alan Edward Lindgren. Courtesy of Universal Tunes, Universal Music Corp. Under license from Universal Music Publishing Group. All rights reserved. 

Rehearsed at Gibney Studios, 890 Broadway

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**SPECIAL THANKS TO**\
Tracy Weiler, McKenna Davenport, Pamela & Clarence Soper, Dr. Kenny D. Hasija, Denise Desimone, TC and Deandre Sevon.

Providence Performing Arts Center; Norbert Mongeon, Janice Anderson, J.L. “Lynn” Singleton

With grateful acknowledgement to the State of Rhode Island and Steven Feinberg, the Rhode Island Film & Television Office www.film.ri.gov

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**Insurance Broker Services**\
EPIC Entertainment & Sports


**Financial Services and banking arrangements by**\
Flagstar Bank N.A.

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The Parkinson’s Foundation makes lives better for people living with Parkinson’s disease (PD). Every 6 minutes someone is diagnosed with PD, but together we can find a cure.

Visit Parkinson.org or call 1-800-4PD-INFO to learn more.

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The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers of the United States.

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The Musicians employed in this production are members of the American Federation of Musicians of the United States and Canada.

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The Director and Choreographer are members of the Society of Stage Directors and Choreographers, Inc., an independent national labor union.

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The Press Agents and Company Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers.

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Backstage employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).

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United Scenic Artists represents designers and scenic artists for the American Theatre.


This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees.

Warner Nocross + Judd

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UM Health-Sparrow

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Choose Lansing

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The Christman Company

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Disney's Beauty and the Beast

A Beautiful Noise: The Neil Diamond Musical

# **Dr. and Mrs. Wharton Tribute Concert**

Featuring:

Norm Lewis; Joseph Joubert, piano\
Carmen Bradford\
MSU Symphony Orchestra\
Aaron Diehl Trio\
“The Calling” performed by Zsilas Michael Hughes  

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***Fanfare for the Common Man*** (A. Copland)\
MSU Symphony Orchestra; Zongheng Zhang, Guest Conductor

**Opening Remarks**\
Eric Olmscheid, Wharton Center Executive Director 

***Violin Concerto, op. 47 in D minor (Mov. lll)*** (Jean Sibelius)\
MSU Symphony Orchestra, featuring Runqi Weng, violin 

**“Embraceable You”** (Gershwin/Riddle)\
Carmen Bradford with MSU Symphony Orchestra

**“But Not For Me”** (Gershwin/Riddle)\
Carmen Bradford with MSU Symphony Orchestra

**Remarks**\
Kevin Guskiewicz, Michigan State University President  

**“Bit of Bedlam”** (Billy Taylor)\
Aaron Deihl Trio

**“À Bientôt”** (Billy Taylor)\
Aaron Deihl Trio

**“A Grand Night for Swinging”** (Billy Taylor)\
Aaron Deihl Trio
 
***Symphony No. 3, op. 78 in C minor (Part lll)*** “Organ Symphony” (Camille Saint-Saëns)\
MSU Symphony Orchestra

**INTERMISSION** 

**“The Calling”**\
Choreographed by Jessica Lang, performed by Zsilas Michael Hughes  

**Remarks**\
Bruce Wharton 

Norm Lewis; Joseph Joubert, piano


Program

### **DR. CLIFTON R. WHARTON JR. (1926–2024)**

Dr. Clifton Wharton was born in 1926 in Boston, Massachusetts. He attended Boston Latin School, & entered Harvard University at age 16, where he earned a B.A. honors degree. In September 1945, Dr. Wharton graduated from the Tuskegee Army Air Primary School in the 46A class. 

Dr. Wharton held an M.A. from the School of Advanced International Studies of Johns Hopkins University, a Ph.D. in economics from the University of Chicago, & was awarded 61 honorary doctorates. He had careers in philosophy, foreign economic development, higher education, & business. He served as the chairman & CEO of TIAA-CREF, the world’s largest pension fund, & became the first Black person to become CEO of a Fortune 500 company. 

When elected president of Michigan State University (serving from 1970-78), he became the first Black person to lead a major predominantly white university in the United States. During his tenure, Dr. Wharton strived to make MSU a community for everyone, stewarding efforts to broaden educational access, and leading the first capitol campaign which included funds for Wharton Center. 

Dr. Wharton also served as chancellor of the State University of New York System from 1978-87, the nation’s largest university system. He served six U.S. Presidents in foreign policy advisory posts, including an appointment by President Clinton to deputy secretary, the second-highest position in the U.S. Department of State. 

Dr. and Mrs. Wharton were married on April 15, 1950, sharing over 70 years together. Together they had two sons: Clifton R. Wharton III (1952–2000) and Bruce Wharton.

### **DOLORES DUNCAN WHARTON (1927–2025)**

Mrs. Dolores Wharton was born in 1927 in New York City. After earning a Bachelor of Fine Arts degree from the Chicago Teachers College, Mrs. Wharton went on to receive nine honorary doctor of humane letters in recognition of her significant contributions to society. 

Mrs. Wharton was a corporate director, foundation executive, & arts advocate. She was the chairman & chief executive officer of The Fund for Corporate Initiatives, Inc., a non-profit organization devoted to strengthening the role of minorities & women in the corporate world. 

Throughout her life & career, Mrs. Wharton focused on creating spaces for women, people of color, & was a strong supporter of the arts. She was appointed by President Gerald Ford to the National Council on the Arts of the National Endowment for the Arts from 1974-80. She was also a trustee of the Museum of Modern Arts from 1977-87, & a director of the Albany Institute of History and Arts from 1980-87.  

Mrs. Wharton was the first Black woman elected to the board of the Phillips Petroleum Company, the Kellogg Company, & Michigan Bell Telephone Company.

About Whartons

![MSU-Symphony.jpg](https://res.cloudinary.com/wharton-center/image/upload/v1757530121/MSU_Symphony_2567a9e6cb.jpg)

**OCTAVIO MÁS-AROCAS**\
Octavio Más-Arocas serves as Director of Orchestras at the Michigan State University College of Music. He is a versatile and dynamic conductor whose achievements demonstrate his talent and musicianship. Más-Arocas was previously the Director of Orchestras and Professor of Orchestral Conducting at Ithaca College in New York, Music Director and Conductor of the Mansfield Symphony Orchestra in Ohio, Principal Conductor of the Marquette Symphony Orchestra in Michigan, Conductor-in-Residence at the Cabrillo Festival of Contemporary Music in California.

Mr. Más-Arocas served as Principal Conductor of the Green Bay Symphony Orchestra, Wisconsin, and held the positions of Director of Orchestral Studies and Opera Conductor at the Lawrence University Conservatory of Music in Wisconsin, Director of Orchestral Studies and Associate Professor of Conducting at the Baldwin Wallace University Conservatory of Music in Ohio, Director of Orchestras at the Interlochen Arts Academy in Michigan, Resident Conductor of the Sewanee Summer Music Festival in Tennessee, and Assistant conductor of the National Repertory Orchestra in Colorado. In 2013, simultaneously to his work with the Lawrence Symphony Orchestra, Mr. Más-Arocas was the Resident Conductor of the Unicamp Symphony Orchestra in Campinas, Brazil, where he also was a Visiting Professor of conducting at the Universidade Estadual de Campinas. Mr. Más-Arocas spends part of his summers in the Grand Traverse area, where he continues his association as conductor at the Interlochen Center for the Arts.

An award-winner conductor, Mr. Más-Arocas won the Robert J. Harth Conducting Prize at the Aspen Music Festival, the Felix Mendelssohn-Bartholdy Award, given by Kurt Masur, is the recipient of the Thelma A. Robinson Award from the Conductors Guild, a prize winner of the Third European Conductors Competition, and a winner of the National Youth Orchestra of Spain Conductors Competition. Mr. Más-Arocas was selected by the League of American Orchestra to conduct the Fort Worth Symphony Orchestra in a showcase event during the League’s National Conference in Dallas.

Chosen by Kurt Masur, Mr. Más-Arocas was awarded the prestigious Felix Mendelssohn-Bartholdy Scholarship. Consequently, he worked as Maestro Masur’s assistant with the Leipzig Gewandhaus Orchestra and the Helsinki Radio Orchestra, and made his German conducting debut with the Leipziger Symphonieorchester. The offer came after Mr. Más-Arocas’ New York debut concert sharing the podium with Maestro Masur and the Manhattan School of Music Symphony.

In the last few years, Mr. Más-Arocas has conducted orchestras across North and South America and Europe, including the Filarmonica George Enescu in Romania, the Orquesta de Valencia and Granada City Orchestra in Spain, the Leipziger Symphonieorchester in Germany, the Orquestra Sinfônica da Unicamp in Brazil, the Green Bay, Traverse City, Bluewater, Catskill, Clinton, Fort Worth, Spokane, Toledo, Phoenix, Memphis, Kansas City, and San Antonio Symphonies, the National Repertory Orchestra, the Manhattan School of Music Symphony, the orchestras of Viana do Castelo and Artave in Portugal, the Interlochen Philharmonic, the Universidad Nacional Autonoma de Mexico Philharmonic, the Rosario Symphony in Argentina, Kharkov Symphony in Ukraine, the National Youth Orchestras of Portugal and Spain, the Pescara Symphony in Italy, the Amsterdam Brass in the Netherlands, and the Ciudad Alcala de Henares Symphony. In addition, Mr. Más-Arocas has served as assistant conductor at the Madrid Royal Opera House.

Mr. Más-Arocas was assistant conductor of the National Repertory Orchestra, which he conducted in subscription, family, and pops concerts. As the Resident Conductor at the Sewanee Summer Music Festival, he conducted the Festival, Symphony, and Cumberland Orchestras. Other festival appearances include the Aspen Music Festival, the Cabrillo Festival of Contemporary Music, the Festival Internacional Carlos Gomes in Campinas, Brazil, the Interlochen Music Festival, the Bach Festival at Baldwin Wallace University, and the MidAmerican Center for Contemporary Music.

His ability to work, inspire, and transform young talent has led him to be a frequent guest conductor with prominent music education organizations and ensembles around the world. He has worked with the World Youth Symphony Orchestra, the national youth orchestras of Portugal and Spain, has conducted All-State Honor Orchestras, and has been in residence with university orchestras in Chicago, Cornell University, Portugal, and Brazil. Mr. Más-Arocas has lead tours with the National Youth Orchestra “Templarios” of Portugal, the Interlochen Symphony, the Baldwin Wallace Symphony, and toured Argentina with the Silleda Wind Symphony.

In demand as conducting teacher, Mr. Más-Arocas has taught workshops and masterclasses in the U.S., Portugal, Brazil, and Spain and is currently on the faculty of two of the world most competitive conducting workshops, the Cabrillo Festival Conducting Workshop, which attracts the most talented conducting students from all around the world, and the Ithaca International Conducting Masterclass. He has taught at the Queens College Conducting Workshop in New York and leads the very selective graduate orchestral conducting program at Ithaca College.

Mr. Más-Arocas is an alumnus of the prestigious American Academy of Conducting at Aspen, where he studied with David Zinman. He completed doctoral studies and his main mentors include Kurt Masur, Harold Farberman, and Emily Freeman Brown.

**RUNQI WENG, VIOLIN**\
Runqi Weng is an accomplished violinist currently pursuing a Doctor of Musical Arts (DMA) at Michigan State University under the mentorship of Professor Dimitri Berlinsky. She earned her master’s degree from the Cleveland Institute of Music, where she studied with renowned violinists Ilya Kaler and Olga Kaler.

Weng began her musical training at the Central Conservatory of Music in Beijing under Professors Lv Xu and Danan Liang. She has garnered numerous awards in international competitions, demonstrating exceptional artistry and technical mastery. Notable achievements
include:

Grand Prize, Michigan State University College of Music Concerto Competition (2025)\
Second Prize, International Grand Prix Competition (2025)\
Second Prize, Naftzger Young Artists Competition (2025)\
Third Prize, Korea–China International Music Competition (2020)\
Grand Prize, Oleh Krysa International Violin Competition (2019)\
Third Prize, Hong Kong International Violin & Chamber Music Competition (2018)

Weng has been highly praised by competition judges for her skillful and artistic performances. In 2020, she was invited to perform as second violinist with one of China’s most renowned string quartets, the Amber String Quartet, during the Beethoven 250th Anniversary Commemoration Ceremony. She has further refined her craft through esteemed programs such as the Heifetz International Summer Institute (2022) and masterclasses with world-renowned artists including Pinchas Zukerman and Philippe Quint. These experiences have solidified her reputation as a promising and dynamic artist in the classical music world.

**ZONGHENG ZHANG**\
A first-year Doctoral student in Orchestral Conducting at Michigan State University, Zongheng Zhang is studying under Professors Octavio Mas-Arocas and Kathrine Kilburn. He holds a Master’s in Orchestral Conducting from UT Austin, where he served as Assistant Conductor for the UT Symphony Orchestra and Music Director of the UT University Orchestra. Zhang has worked with Austin Opera, Butler Opera Center, and Berlin Opera Academy. He has conducted operas like La Bohème and Carmen and premiered Le Falcon by Dmitry Bortniansky in 2024. From 2016 to 2021, Zhang was Concertmaster for The Orchestra Now and Bard Conservatory, collaborating with renowned conductors.

**ORCHESTRA PERSONNEL**

**Violin I**\
I. Qingzhuo Li\
Diya Dong\
II. Farangiz Takhirova\
Hannah Hsu\
III. Thomas Shahbaghyan\
Sarah Munson\
IV. Min-Han Tsai\
Arianna Argentieri\
V. Hsin-Jen Yang\
Tadan Baartz-Bowman\
VI. You-Jung Hsu\
Xinying Hu\
VII. Yueyu Liu\
Jungmin Lee\
VIII. Dana Hardy\
Mabel Ciske\
IX. Ashwin Innuganti

**Violin II**\
I. Leonid Tsoy\
Daniella Greene\
II. Chonghua Zuo\
Amy Chang\
III. Yulin Zhou\
Wang Liang\
IV. Layang Ka\
Zenan Li\
V. Fanhong Jiang\
Wenjin Zhang\
VI. Kieran Venugopal\
Selin Samsar\
VII. Lin Heng Ping\
Chenghong Yin\
VIII. Lyudmila Gofurova\
Noah Walter\
IX. Alison Birmingham

**Pianos**\
Xiaoxiao Ouyang\
Yi-Hui Chen
 
**Violas**\
I. Yifei Wang\
Tirian Cooper\
II. Yu-Chieh Lin\
Jamie Kasper\
III. Mengyuan Song\
Qiongwen Zhang\
IV. Jiajing Fang\
Aidan Chapman-Anderson\
V. Jenna Small\
Xinye Xu\
VI. Meagan Turner
 
**Cellos**
I. Tung-An Chien\
Weigen Jiang\
II. David Au Yeung\
Shaniah Cooper\
III. Jingyuan Zhang\
Cheng-Lin Yu\
IV. Weian Gu\
Nolan Wiebenga\
V. Ruiyang Xie\
Yi-Chen Ke\
VI. Cheng-Hung Chung 

**Basses**\
I. Grant Phillips\
Alexandria Kelley\
II. Manyi Zhang\
Grace Kovacs\
III. Kaden Connell\
Ariel LeBlanc\
IV. Parker Duncan\
Otto Krueger

**Flutes**\
Morgan Page\
Ivana Chacon\
Alex Coble\
Oboes\
Brett Boyer\
Geoffrey Madge\
Ari Vanderlaan

**Clarinets**\
Chang Shu\
Jake Basil\
Rafael Puga\
Hourun Qu

**Bassoons**\
Megan Frederick\
Katherine Dahn\
Rosalie Trueback

**Horns**\
Reed Fitzpatrick\
Caden Dennie\
Alexander Delperdang\
Aiden Leonard

**Trumpets**\
Natalia Vela\
Calvin Pfund\
Kaylee Rodriguez\
Evelyn Szilagyu

**Trombones**\
Jordan Dove\
David Grimes\
Jonah Weller

**Tuba**\
AJ Johnson

**Percussions**\
Colin Chandler\
Kayla Mears\
Cadence Miller\
Taryn Parry\
Klair Thomas

**Organ**\
Hae Won Jang 

**Rhythmic Section**\
Piano, Kevin Eisenberg\
Guitar, Daniel Li\
Bass, Langston Kitchen\
Drums, Sarah Whitaker 



![Carmen-Bradford.jpg](https://res.cloudinary.com/wharton-center/image/upload/v1757530121/Carmen_Bradford_438755f2c3.jpg)


Carmen Bradford is jazz royalty, a 2024 Grammy Award winner for “Basie Swings the Blues – the Count Basie Orchestra.” She’s been nominated five times for Grammy Award and is the recipient of the Los Angeles Jazz Society's Jazz Vocalist Award. With her body of work, which reflects her vast experience, versatility, and technical brilliance, she has carved out her place in jazz history, and she continues to contribute to the preservation of this uniquely American art form.

Bradford was born in Austin, Texas and raised in Altadena, California. The daughter of legendary cornetist and composer Bobby Bradford and world-renown jazz vocalist, composer, and author Melba Joyce, and granddaughter of Melvin Moore (who sang with Lucky Millender and his Big Band, Dizzy Gillespie's Big Band, and the Ink Spots), Bradford grew up with music in her home and in her heart.

She was discovered and hired by William "Count" Basie when she was just 22; she went on to be the featured vocalist with the legendary Count Basie Orchestra for nine years and has continued to perform with them regularly throughout her career. All four of her Grammy Award nominations are for albums with the Count Basie Orchestra, including two in the 1980s and a third, "Big Boss Band," with guitarist George Benson. (She and Benson performed the classic duet, "How Do You Keep the Music Playing," on the Tonight Show Starring Johnny Carson.) The fourth is 2022’s “Live At Birdland.”

In 1992, Bradford released her first debut album, "Finally Yours" (Evidence Records), to critical acclaim. In 1995, the release of her second solo album, "With Respect" (Evidence Records), established Bradford as one of jazz music's most diverse and exciting vocal stylists.

Bradford has performed and/or recorded with Patti Austin, Tony Bennett, George Benson, Shelly Berg, James Brown, Benny Carter, Dori Caymmi, John Clayton and the Clayton-Hamilton Orchestra, Freddie Cole, Lena Horne, Kurt Elling, Wynton Marsalis, Jeremy Monteiro, David Murray, Willie Nelson, James Newton, Kenny Rankin, Lou Rawls, Doc Severinsen, Frank Sinatra, Byron Stripling, Tierney Sutton, Jeff Tyzik, Joe Williams, Nancy Wilson, Liz Wright, and countless other artists around the world.

She also has performed and/or recorded with the Dallas Symphony, the Dani Felber Big Band, the Detroit Symphony, the DIVA Jazz Orchestra, the Lincoln Center Jazz Orchestra, the National Symphony, the Philadelphia Pops, the Rochester Philharmonic, the Vancouver Philharmonic, and many other organizations.

Bradford teamed with singer/composer Kenny Rankin for the Benny Carter Songbook Project, performing with him the duet, "And All That Jazz." Other notable artists on the album include Ruth Brown, Jon Hendricks, Shirley Horn, Diana Krall, Peggy Lee, Diane Reeves, Bobby Short, Joe Williams, and others. At the request of Benny Carter, Bradford also sang "Key Largo" on this Grammy Award-winning album.

Bradford’s 2004 release, "Home With You" (Azica Records), is a warm and beautiful collection of vocal and piano duets with jazz great Shelly Berg. In 2008, with the release of “Live from Jazz at Lincoln Center's Dizzy's Club Coca-Cola: Sherrie Maricle & The DIVA Jazz Orchestra featuring Carmen Bradford,” Bradford returned to her big band roots. That recording ultimately brought her back to her first big band family, as well: She continues to tour with the Count Basie Orchestra, always grateful to Count Basie for opening the door for her. “When the Count Basie Orchestra calls me,” she says, “I go.”

The 2015 release of "Invisible Design," with jazz great John Mills, showcases Bradford’s versatility. 2015 also saw the release of "A Very Swingin' Basie Christmas" with the Count Basie Orchestra (conducted by Scotty Barnhart). The album features Bradford, Ledisi, Ellis Marsalis, and Johnny Mathis.

In 2016, Bradford’s was the voice on the album "Imagination Nation," a tribute to Nelson Mandela by South African trumpeter Darren English. This critically-acclaimed album won the Pledge for Peace award from the Global Peace Song Awards, and was named Best in Jazz.


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Grammy-nominated pianist Aaron Diehl has quietly redefined the lines between jazz and classical and built a global career around his nuanced, understated approach to music-making. Praised for his “melodic precision, harmonic erudition, and elegant restraint” (*The New York Times*) and his “traditional jazz sound with a sophisticated contemporary spin” (*The Guardian*), Diehl has performed with musical giants such as Wynton Marsalis, Cécile McLorin Salvant, Tyshawn Sorey, and Philip Glass. Diehl has been a soloist with the New York Philharmonic, Los Angeles Philharmonic, San Francisco Symphony, and the Cleveland Orchestra, and worked with conductors like Yannick Nézet-Séguin, Marin Alsop, and Alan Gilbert. In 2023, Diehl was named the Artistic Director of 92NY’s Jazz in July Festival, succeeding the legendary Bill Charlap. 

Joining Diehl is Philip Norris, who recently graduated from The Juilliard School of Music with a Bachelor’s and Master’s degree in Jazz Studies. He first began his music path in his hometown of Raleigh, North Carolina, on the piano and French horn before developing his passion for bass at age 13. His collaborations encompass esteemed names such as Wynton Marsalis, The Jazz At Lincoln Center Orchestra, Joshua Redman, David Sanborn, Veronica Swift, and, more recently, Emmet Cohen. 

Rounding out the trio is Aaron Kimmel, who, for nearly two decades, resided in New York working as a freelance drummer. Kimmel holds a Bachelor of Music degree from The Juilliard School, where he studied with Kenny Washington and Billy Drummond. He frequently appears at Smalls and Dizzy's Club, as well as venues all around the world. Kimmel has played with such jazz luminaries as Harry Allen, Ken Peplowski, Eric Alexander, Joe Magnarelli, Grant Stewart, Terell Stafford, Ryan Kisor, Toshiko Akiyoshi, Ann Hampton Callaway, Mary Stallings, and Jon Faddis. 

![Zsalis.jpg](https://res.cloudinary.com/wharton-center/image/upload/v1757531050/Zsalis_09f69a8f93.jpg)

Zsilas Michael Hughes is an African American non-binary dancer with Pacific Northwest Ballet, born in Flint, Michigan, and raised in the south of Little Rock, Arkansas. After joining the company in 2021, their career took flight as a dancer, originating and shining in spritely roles such as the soloist in ‘Kehpri’ choreographed by Annabelle Lopez-Ochoa. Through performing in works such as Justin Peck’s ‘Time’s Are Racing’ Principals Pas De Deux, Dwight Rhoden’s World Premiere ’Catching Feelings’, as well as their Pointe debut in Arabian Coffee as the Peacock from George Balnchine’s ‘The Nutcracker,’ Hughes provides a new image of diversity in ballet.

This new image in ballet has impacted the masses, as Hughes is an example of “you can do anything.” Their existence as a pointe dancer performing in works such as “Cracks” by Rena Butler as Pacific Northwest Ballet World Premiere, Peasant Pas Variation, and the Gold Fairy Variation at Ballet 22 showcase the ability to be transcendent within the art form. 

Their work extends far from the home stage of Pacific Northwest Ballet in Seattle, Washington. Hughes’ career presence is acknowledged nationally as they have touched some of the most iconic stages from coast to coast. Gracing the Kennedy Center in a new work of Kiyon Ross and Jennifer Archibald, as well as the new staging of Donald Byrd’s work “From Other Suns”. Flying through the wondrous space that is Jacob’s Pillow and the Performance Arts Center is Los Angeles, California. 

When off stage, Zsilas enjoys the wonders of problem-solving solving, also known as choreographing. Since the age of twelve, a total of 22 works has been created, from solo works to ensemble pieces, ranging from lethargic to contemporary ballet. Known works include ‘Dream’ an award-winning solo, ‘Break The Mold’ performed by the students of Central Pennsylvania Youth Ballet, and the upcoming world premiere of ‘Symphonic Piano Concerto Apassionata,’ performed by the Professional Division Students of Pacific Northwest Ballet. 

![norm-lewis.jpg](https://res.cloudinary.com/wharton-center/image/upload/v1757530121/norm_lewis_1dc5092f93.jpg)

Norm Lewis recently appeared onstage, starring in the off-Broadway production of *Ceremonies In Dark Old Men* as well as the national tour of the Tony Award® winning production of *A Soldier's Play*, and starred in Andrew Lloyd Webber's award-winning West End Concert of "Love Never Dies." Mr. Lewis last appeared on Broadway in the Fall of 2021, starring in *Chicken and Biscuits* at the Circle In The Square Theatre. He received several award nominations for his performance as Porgy in the Broadway production of *The Gershwins’ Porgy & Bess* and, in 2014, made history as the first Black “Phantom” in *The Phantom Of The Opera*.  He is an Emmy, Grammy, Tony®, and SAG Award nominee for his work onstage, screen, and in music. Mr. Lewis is a proud founding member of Black Theatre United. 

![Joseph Joubert - Headshot.jpg](https://res.cloudinary.com/wharton-center/image/upload/v1757531050/Joseph_Joubert_Headshot_c66e4d0880.jpg)


Joseph Joubert is a Grammy-nominated musician who’s well known as a pianist, arranger, orchestrator, Broadway conductor, and music director. Mr. Joubert could recently be seen on Broadway as the co-orchestrator & co-arranger, music director, and conductor of “Pirates! The Penzance Musical”, as well as the music supervisor, orchestrator, and co-arranger for the most recent Broadway revival of “The Wiz”. In addition, he’s the co-orchestrator of Alan Menken’s “Hercules”. His Broadway orchestration credits include: “Caroline or Change”, “The Color Purple”(Drama Desk Nomination), “Disaster”, “Violet”(Drama Desk Nomination) and “Leap of Faith” He was Musical Director for Berry Gordy’s “Motown The Musical “and was assistant conductor for Nice Work If You Can Get It and Billy Elliot. He was the guest conductor for Encore’s “Tap Dance Kid”. 

Dr. and Mrs. Wharton Tribute Concert

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Since 2000, Jeff has played such venues as The Birchmere, Club Passim, Cafe Lena, New York City’s 54 Below and Birdland, the City Winery in New York and Nashville, The Barns at Wolf Trap, Austin’s Cactus Cafe, Rams Head in Annapolis, Huston’s Mucky Duck’s, the Dakota Room in Minneapolis, the Ark in Ann Arbor, Chicago’s Old School of Folk Music, Seattle’s Third Door, Alaska’s Latitude 62 in Talkeetna, as well as numerous other opera houses and performing art centers throughout the country. With his son’s band, The Ben Daniels Band, he has toured both coasts. He has shared the stage with Lyle Lovett, John Hiatt, Joe Ely, Cheryl Wheeler, Guy Clark, Christine Lavin, Keb Mo,’ and Bruce Hornsby. He performed at David Bromberg’s 70th Birthday Bash at NYC’s Town Hall. In 2012, the Martin Guitar Company began selling the OM Jeff Daniels Custom Artist Edition Guitar. He also narrated their award-winning documentary, “The Ballad of the Dreadnought.”

“In 1976, I moved to New York to become an actor. What I didn’t plan on was being so influenced by so many Off-Broadway playwrights. In particular, Lanford Wilson, who would later go on to win a Pulitzer Prize for his play, *Talley’s Folly*. Lanford taught me so much about the process, imagery, the love/hate relationship one has with such solitary pursuit and the endless rewriting as you search for a better way to say it. In Hollywood, the joke is if you ask any actor what he really wants to do, he’ll say, “Direct.” Not me. I wanted to write. So I did. With a guitar in my hands.”

About

An Evening with Jeff Daniels